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Call for UNESCO reforms and a UN plan for safety of artists

Invited by UNESCO for a keynote speech at the World Press Freedom Day event in Jakarta (1-4 May), the outgoing Freemuse co-founder and Executive Director Ole Reitov pointed out that while UNESCO drafted the UN Plan of Action for the Safety of Journalists and the Issue of Impunity, no such plan exists for artists, who work, create and communicate in very different ways.

“Journalists are articulate, well organized and their work for the protection of journalists has led to a number of international declarations and support programmes. This is not the case with artists,” Reitov explained. “Artists express themselves differently and in many countries they are poorly organized. There should be no distinction between the condemnation of attacks on journalists and artists.”

Thus, Freemuse calls for the current and forthcoming Director General of UNESCO to strongly condemn censorship, imprisonment and attacks on artists, and to draft a UN Plan of Action for the Safety of Artists and the Issue of Impunity.

Further Freemuse also calls on UNESCO to revamp its mechanism for filing human rights complaints needs to be strengthened, made more accessible and easy to use.

Source: Freemuse

Arts Rights Justice Program at Hildesheim UNESCO Chair

The ARJ Program was developed in cooperation with 30 international expert institutions and is initially intended to run from 2017 until 2019 with the support of the German Foreign Office and the International Cities of Refuge Network (ICORN). It will encompass an annual ACADEMY accompanied by an international CONFERENCE at the University of Hildesheim (Germany); a series of ARJ LABORATORIES with partners in different world regions; and an open access online library.
This year’s ARJ ACADEMY runs from August 24 – August 30, followed by the ARJ CONFERENCE August 30 – September 1 in Hildesheim (Germany). A call for particiaption an an application form is online. Deadline: May 15, 2017.

Source and further information: arts-rights-justice.de

27 May, Nörrköpping: ACAR-Seminar “Artistic Expression as Political Manifestation”

“Theatre as Resistance – artistic expression as political manifestation” is a public seminar, organized by Scensverige (former Teaterunionen) in the framework of the Swedish Biennial for Performing Arts 2017 in Norrköping.
In 2016, the number of offenses against artistes and crimes against artistic freedom around the world doubled according to a recent report. The seminar presents the facts surrounding this together with Jonatan Stanczak, The Freedom Theatre Jenin, Natalia Koliada, Belarus Free Theatre and Abduljaebbar Alsuhili, comedian, actor and activist from Yemen.
The seminar is arranged in collaboration with Kulturhuset Stadsteatern and ITI’s Action Committe for Artists Rights.
Date: Saturday May 27, 10:00-11:45. Place: Louis De Geer Konsert & Kongress, Nörrköping, Sweden.
Source and info at Scensverige

2nd UN Cultural Rights Report: Impact of fundamentalism and extremism on the enjoyment of cultural rights

In her second report to the 34th session Human Rights Council (27 February-24 March 2017) Karima Bennoune – the United Nations Special Rapporteur in the field of cultural rights – explains this growing challenge must be faced with urgency, using a human rights approach and stressing the centrality of cultural rights in combating such threats.

Download the full report from the UN OHCHR site here (Word document, 23 pages)

ITI concerned about dismissals in Turkey

Regarding the dismissal of professors and research assistants of the theatre department of the Ankara University ACAR wrote to the Turkish government: “We, representing the international theatre community in many countries, express our deep concern about these dismissals of colleagues – professors as well as all the many Turkish artists and intellectuals being suspected and threatened within the past months.
We urgently ask your government to reconsider this decision.”
Letter to Turkish Government

update: Read also the statement of the Turkish section of the  International Association of Theatre Critics and from the Executive Committee of the International Federation for Theatre Research