The European Commission’s Expert Network on Cultural and Audiovisual (EENCA) has published a new study on the on the status and working conditions of artists, cultural and creative professionals in the EU member states. The study includes the examination of career paths, nature of income, also under the condition of the COVID 19 pandemic, influence of the market, access to finance, social security and cross-border mobility, including artistic freedom/restrictions to creation, and the aspect of working conditions of disadvantaged groups.
Andrei Kureichik, the well-known Belarusian playwright, tells the story of the first month of the Belarusian revolution and seeks to understand how the Belarusian revolution differs from Prague in 1968, Russia in 1991 and Ukraine in 2014. International theaters, groups, schools, and individuals came together in September and October to present readings, videos, films, and discussions of Kureichik’s play.
The Forum Collective, an initiative to produce and present multidisciplinary political art works and journalism, has a recording of a live streamed performance, directed by Kieran Beccia and translated by John Freedman: Insulted. Belarus(sia)
Non-governmental organizations in Slovenia are increasingly targeted by the radical right Slovenian Democratic Party government’s restrictive measures. 18 NGOs (among them associations for film, literature, dance, fine art, the MASKA Institute and the Legal Informaton Centre for NGos) were requested by the Ministry of Culture to vacate their premises in the building at No. 6 Metelkova Street in Ljubljana, a place with a hertitage of civil society movements. In 1993 cultural workers, artists and activists occupied the former command headquarters of the Yugoslav National Army barracks in Slovenia and made it a home to non-governmental organizations, collectives and individuals engaged in independent cultural and artistic production and research.
On October 20 the NGOs stated: “The reason given is that the Ministry supposedly needs the premises for its own use and intends to renovate them, although the budget is not slated to provide funds for such renovation until 2023, and the Ministry has not offered tenants replacement premises, nor has it entered into any sort of dialogue with us. The termination of the leases came to our addresses unannounced and on the very day when the SARS-CoV-2 virus epidemic and curfew were declared.”
“We hereby inform the Ministry of Culture and the government of the Republic of Slovenia that we have no intention of leaving No. 6 Metelkova and that we will resist with all possible means these attacks on civil society, independent culture, and democracy.”
ITI Sweden, ASSITEJ Sweden and the Swedish Performing Arts Coalition are presenting a panel conversation about freedom of speech and democracy. The event is on November 9, 2 pm CET in the framework of Swedstage Online , this years corona version of the Swedish performing arts festival. The panel: Nedjma Chaouche, Freelance journalist and facilitator, Nasim Aghili, Director and playwright , Louise Frisk, Secretary General Clowns without Borders Sweden, Astrid Menasanch Tobieson, Actor and director. The questions: Can art be used as resistance? Can art break down walls? Can art pave the way forward? Swedstage has also asked several of their peers around the world for short video statements which will be presented online.
After the panel discussion there will be a live chat with Srirak Plipat, the Executive Director of Freemuse.
The Special Rapporteur in the field of cultural rights, Karima Bennoune, has published her annual report , which relates for the first time cultural rights with climate change. The report will be presented Thursday, 22 October, tentatively at 15:00, New York time. The presentation will be broadcasted via UN webtv. One day before, on 21 October, between 13:15 – 14:45 EDT Karima Bennoune will hold a a webinar addressing the theme of her report, entitled “Climate change and cultural extinction: A Human Rights Crisis”.
Benoune states in her introduction: “The mandate on cultural rights was established to protect not culture and cultural heritage per se, but rather the conditions allowing all people, without discrimination, to access, participate in and contribute to cultural life through a process of continuous development. These conditions are greatly jeopardized by the climate emergency.”
All relevant actors are requested to develop “a human rights-based global action plan to save the cultures of humanity and protect cultural rights from the climate emergency”. Engagement is needed in capacity-building on environmental issues for cultural rights defenders and on cultural rights issues for environmental human rights defenders and others. Further joint initiatives and advocacy campaigns should bring these sectors together.