On September 17, Robert Wilson’s theater production of OEDIPUS opened the MITEM Festival in Budapest, whose general director is Attila Vidnyánszky, who was also instrumental in destroying the independence of the SZFE University last year on behalf of the Orbán government. While other cultural actors refused to tour again to the MITEM Festival, Wilson did not want to cancel the OEDIPUS tour to Budapest, as he believes that isolating the Hungarian audience is not a good way for him to express his criticism of the government’s actions. Instead, he is going to publish a statement, voicing his dissenting opinion and expressing solidarity and (financial and symbolic) support for the #FreeSZFE initiative.
The eroding situation in Afghanistan poses a threat to the lives of our colleagues in Afghanistan. Performing artists from Afghanistan were active in building up a society based on democracy, freedom, openness, human and cultural rights in their country. These are not the values of the Taliban, so their lives are now at risk. ITI applies to democratic governments to take immediate action to save Afghanistan’s performing artists and culture activists, especially women and ethnic and religious minorities. Thousands are already sought, have moved into hiding and may soon take the perilous step of looking for a way over land borders to Pakistan or Usbekistan.
The Taliban has admitted to the killing of the famous comic Nazar Mohammad, known as Khasha Zwan, in the country’s southern region. Khasha, who earlier served in the Kandahar police, was picked up by from his home in southern Kandahar and shot dead. A a video, widely shared on social media, showed Khasha getting slapped and abused while he was held by two men in a car. Nazar Mohammad’s body, shot multiple times, was found in Kandahar end of July.
The Czech Supreme Court decided in the last instance about two controversial performances from the Brno National Theatre and the Centre for Experimental Theatre. Prague’s Cardinal Dominik Duka had demanded an apology from both theatres for two productions from 2018 by Croatian director Oliver Frljić, “Condemnation” and “Our Violence and Your Violence”. Duka felt his personal rights violated since the plays had dealt with child abuse by priests and the relationship of Western society to Islamic society. The Court dismissed Duka’s appeal and decided that the plays had not been discriminatory against Christians, nor had they interfered with the right to freedom of belief.
The Action Committee for Artists Rights (ACAR) of the International Theatre Institute (ITI) follows with shock and grief the escalating mutual atrocities between Israel and the Hamas Organization in the Gaza Strip. We are mostly worried by the horrendous acts of lynching, vandalism, destruction and arson performed by extremist nationalist Jewish and Arab groups within the ethnically mixed towns throughout Israel. We call upon artists from both parties, as well as colleagues worldwide, to strongly condemn these actions fueled by blind racist and religious hatred that not only undermine the fragile co-existence between Jews and Arabs in the country, in general, and the cooperation in the field of Performative Arts in particular, but present a threat to Peace and tolerance in the entire area.
On April 1st members of ACAR had the chance to talk online with artists from Thailand and Myanmar about the alarming situation for the arts and the freedom of expression in both countries. The situation in Myanmar under military dictatorship, with disappearance of artists and the dissolution of public cultural live goes along with rising of protests in Thailand and massive attacks against artists, namely theatre artists with rising number of victims – arrested or killed. Thai theatre artists have started a call for solidarity with theatre artists in Myanmar, passed to the Myanmar embassy.
ACAR will follow the situation and has offered support via the ITI network and other connected initiatives.