ITI Sweden, ASSITEJ Sweden and the Swedish Performing Arts Coalition are presenting a panel conversation about freedom of speech and democracy. The event is on November 9, 2 pm CET in the framework of Swedstage Online , this years corona version of the Swedish performing arts festival. The panel: Nedjma Chaouche, Freelance journalist and facilitator, Nasim Aghili, Director and playwright , Louise Frisk, Secretary General Clowns without Borders Sweden, Astrid Menasanch Tobieson, Actor and director. The questions: Can art be used as resistance? Can art break down walls? Can art pave the way forward? Swedstage has also asked several of their peers around the world for short video statements which will be presented online.
After the panel discussion there will be a live chat with Srirak Plipat, the Executive Director of Freemuse.
The Special Rapporteur in the field of cultural rights, Karima Bennoune, has published her annual report , which relates for the first time cultural rights with climate change. The report will be presented Thursday, 22 October, tentatively at 15:00, New York time. The presentation will be broadcasted via UN webtv. One day before, on 21 October, between 13:15 – 14:45 EDT Karima Bennoune will hold a a webinar addressing the theme of her report, entitled “Climate change and cultural extinction: A Human Rights Crisis”.
Benoune states in her introduction: “The mandate on cultural rights was established to protect not culture and cultural heritage per se, but rather the conditions allowing all people, without discrimination, to access, participate in and contribute to cultural life through a process of continuous development. These conditions are greatly jeopardized by the climate emergency.”
All relevant actors are requested to develop “a human rights-based global action plan to save the cultures of humanity and protect cultural rights from the climate emergency”. Engagement is needed in capacity-building on environmental issues for cultural rights defenders and on cultural rights issues for environmental human rights defenders and others. Further joint initiatives and advocacy campaigns should bring these sectors together.
The Central Khartoum Primary Court issued a verdict against five young artists to two months imprisonment and a fine of 5,000 SDG (equivalent of 90,9 USD). On August 10th, neighbors of Civic Lab network, an organization in Khartoum where rehearsal of a play was taking place, complained about too much noise. The complaint increased to physical attacks to the artists and the staff of the Civic Lab. When the police arrived they arrested the artists and did not stop the neighbors to beat them with sticks and to throw stones at them. The artists are: Duaa Tarig Mohamed Ahmed (Program and Office Manage), Abdel Rahman Mohamed Hamdan, Ayman Khalaf Allah Mohamed Ahmed, Ahmed Elsadig Ahmed Hammad, Hajooj Mohamed Haj Omar (aka Hajooj Kuka, awarded filmmaker). These artists have spent the last two years creating art to support Sudan’s quest for freedom and democracy. They have created hundreds of murals and films in the public service, supported the Prime Minister’s office and Sudan National Television, and conducted hundreds of civic engagement workshops across Sudan through their work at the Civic Lab network. Duaa, along with 4 of her colleagues were charged separately while another 6 artists are awaiting a verdict on Sunday 20th September. The Strategic Initiative for Women in the Horn of Africe (SIHA) is extremliy concerned that “The legal framework, legal procedures and the articles of the law itself are designed to criminalise and prosecute civilians, particularly women and minorities. Women and activists are still an active target of the law enforcement in Sudan, and the criminalisation of women is legally enabled.”
ACAR states that artists are at the vanguard of positive change in Sudan. They have to be protected from violent mobs. The civilian led government has to to investigate the judges and police involved in this case.
The Hungarian government continues to expand its influence on universities and cultural institutions in the country. A reform is planned to transform the Theater and Film University in Budapest (SZFE) into a foundation close to the right-wing national government of Victor Orbán and to better adapt the challenges of the market for the whole educational sector. An adjustment process originally planned for six months was shortened to three months and the university senate was excluded from all structural discussions by the supervisory board of the future foundation appointed by the responsible Ministry of Innovation and Technology, writes Anna Lakos, the long-standing Hungarian ITI director. The supervisory board is headed by the director of the Hungarian National Theatre Attila Vidnyánszky, an actor of the National Theatre, a film producer and the directors of two oil companies. The occupation of the university by its students to protest against the complete loss of independence, experienced solidarity from theatrical artists from all over the world (#FreeSZFE). Here is the text of the SZFE “Magna Charta Universitatum”. The “Call for Academic Freedom in Hungary” has been signed by more than 100 playwrights.
Video Appeal (Instagram) of Belarus Free Theatre’s Managing Directors Svetlana Sugako and Nadezhda Brodskaya to the Global artistic community on the day they’ve been released from jail in Belarus for protesting their rights for freedom of vote. #StandWithBelarus
The Report of the Special Rapporteur on the promotion and promotion and protection of the freedom of opinion and expression was given to the Human Rights Council at the UN General Assembly on 15 June – 3 July 2020.
The report starts with an explanation of the legal framework applicable to artistic freedom of expression and then addresses the ways in which States and other actors often fail in their obligations or responsibilities in this field. A main result is, that states are restricting repressions increasingly in the form of art. For online content filtering mechanisms, private companies should also adopt the UN Guiding Principles on Business and Human Rights.