The festival ran from 4-15 January 2017. Two performances – Singaporean danceer Ming Poon’s ‘Undressing Room’ and Canadian Thea Fitz-James’ ‘Naked Ldies’ – were cut by Infocomm Media Development Authority (IMDA), stating that the works have exceeded the R18 rating. Poon’s performance is a “one-to-one performance where the performer and an audience-participant execute a ritual of undressing each other in total silence” and is done in private, without an audience. Fitz-James’ performance is a “lecture about the history of the naked female body”, which the artist delivers in the nude. Festival organisers decided against compromising on the artistic integrity of these works and stay convinced that the performances made “deliberate attempts to distinguish nudity from sexual connotations”.
A Festival press realases says “Through history, the arts have demonstrated its power to open minds and hearts, to transform and heal, and to inspire – if not effect – real, valuable change. We stand resolutely for this, and despite the hurdles that can seem daunting and sometimes enervating, we are not backing down from doing what the Fringe Festival does best: challenge all that is taken for granted as intransigent, unwavering and unforgiving.”