All posts by ACAR

Georgia Update

Amid the current events in Georgia, an unprecedented incident occurred in Adjara, shaking the entire educational community. The regime arrested Professor Mamuka Jorbenadze, the dean of one of the faculties at Batumi Art State University, along with four students from various art disciplines at the university.

Jorbenadze is a vital intellectual figure at the Art University. Thanks to his direct involvement, the university successfully underwent accreditation and authorization processes. He is also the founder of the International Student Film Festival and actively supports students in developing and implementing international creative projects.

According to those involved, the arrest was triggered by a university teacher together with her husband and several acquaintances who physically attacked Jorbenadze and the four students (Guram Mikeladze, Davit Gvianidze, Anri Kakabadze and Giorgi Tavitadse) for their participation in public protest rallies in Batumi. Law enforcement arrested the dean and students under charges of group assault, despite their defensive position.

Two actors, arrested in Tbilissi (see former post), are still in prison.

Theatres from Germany, Austria, and Switzerland made a joint project: actors from various cities and theaters have interpreted a choral text from Nino Haratischwili’s current play “Sacred Monsters” about systemic violence. This text was spoken in unison in numerous cities – from Hamburg to Frankfurt, to Vienna and Zurich – and subsequently assembled by the video artist and filmmaker Zaza Rusadze into a complete video. The video was sent to Georgian and oppositional broadcasters to document solidarity with the protesters in Georgia.

 

Detainees and Disappeared: Art Documents and Archives Speak

The archive project Creative Memory of the Syrian Revolution presented a new book in Lebanon in September: Detainees and Disappeared: Art Documents and Archives Speak.

This book documents the problems of imprisonment and disappearance of people from the fields of art and culture between 2011 and 2020 in Syria on two levels. On one level, it traces the imprisonment, abduction, or killing under torture of artists and intellectuals who used their art to oppose the Syrian regime and all forms of oppression. This was particularly evident in the early years of the Syrian revolution. On the second level, various artistic works are presented that deal with those who were arrested or abducted for oppositional activities.

The book is available in Arabic from Antoine Publishers.

Russia: Dancer Ksenia Karelina Sentenced to 12 Years in Prison

Amateur ballerina Ksenia Karelina, a dual American-Russian citizen, was arrested and detained by Russia’s Federal Security Service (FSB) on 28 January in her hometown of Yekaterinburg, where she was visiting family.  After Russian authorities accessed Karelina’s phone and discovered that she had donated about $50 to Razom, a pro-Ukrainian charity, in 2022, the Sverdlovsk regional court sentenced her on 8 August to 12 years in prison for treason.
Her conviction came two weeks after Russia and the West carried out the largest prisoner swap since the Cold War, where 24 people were released. 

Sources: CNN, The Guardian

Cuts Planned for Culture in Germany 2025

Despite the fact that the budget for federal cultural funding in Germany is set to remain stable and even grow, massive cuts have been announced for the upcoming budget negotiations for 2025 in autumn. The funds of the five central funding foundations German Literature Fund – German Translators’ Fund – Performing Arts Fund-
Socioculture Fund – Music Fund – Art Fund Foundation – are to be halved. 

The Federal Humanitarian Admission Programme for Afghanistan, which came into force in 2022 and is intended to enable Afghan nationals who have been particularly exposed through their commitment to women’s and human rights or through their activities in the fields of justice, politics, media, education, culture, sport, or science and are therefore individually at risk to be able to leave for Germany, is also to be massively cut.  The programme was designed for 44,000 people to be admitted to Germany, 26,000 of whom had already arrived in October 2022. Two years later, only 533 people have been accepted into the programme. Artists make up around 20% of this. In Taliban-ruled Afghanistan, independent artistic creation is not possible. Artists are persecuted, especially women.
The government draft envisages massive cuts to the programme, making it almost impossible to continue it in a meaningful way. 

The Federal Cultural Funds have published a joint statement, while the German Cultural Council, the umbrella organisation of German cultural organisations, has appealed in its statement to Germany’s responsibility for artists in Afghanistan and called for action in the budget negotiations.

Sources (German):  Joint statement of the Federal Culture Funds,
Press release German Cultural Council 

Afghanistan Cultural Fund

The new established Afghanistan Cultural Fund (ACF) aims to support Afghan cultural workers, especially women. The fund provides assistance to Afghan artists both within the country and in the diaspora, enabling them to continue their creative work, protect cultural heritage, and preserve artistic expressions despite all adversities.

The  ACF is a project by the Goethe Institute, Germany, supported by  the Open Society Fund. 

For more information and application follow this link